Photo: Armin Smailovic

MK:

Die Freiheit einer Frau

Based on the novel by Édouard Louis

 Schauspielhaus
 Premiere: 7.10.2022
 1 hour 10 minutes
 German with English surtitles
 Strobe Effect
 15-60€, unter 30 Jahren jede Platzkategorie: 10€
 Schauspielhaus
 Premiere: 7.10.2022
 1 hour 10 minutes
 German with English surtitles
 Strobe Effect
 15-60€, unter 30 Jahren jede Platzkategorie: 10€

With novels like “The End of Eddy” and “History of Violence”, the shooting star of the French novel, Édouard Louis, has reinvented nothing less than an entire genre: autofiction. He addresses classism, homophobia, chauvinism and xenophobia. In his manifesto “Who Killed My Father”, he denounced the effects of neoliberal politics on his father’s abused body. With “A Woman’s Battles and Transformations”, he traces the biography of his mother Monique Belleguelle. With subtle self-criticism, Louis reflects on the force of role models and recounts his mother’s touching, heroic journey: how she liberates herself from her toxic family in the provinces, how she finds a new life and a new love in Paris and how she eventually smokes a cigarette with Catherine Deneuve.

  • Assistant Director Hannah Waldow
  • Assistent Stage Designer Marlene Pieroth, Katharina Quandt
  • Assistant Costume Designer Maja Lipinski
  • Make-up Sofie Reindl-Grüger, Marisa Schleimer
  • Dramaturgy Intern Edgars Opulskis
  • Stage Manager Barbara Stettner
  • Prompter Jutta Ina Masurath, Sandra Petermann
  • Surtitles Agentur SprachSpiel - Yvonne Griesel
  • Translation Surtitles Kate McNaughton
  • Operator Surtitles Edgars Opulskis, Louisa Sausner, Hannah Waldow
  • Technical Production Management Carolin Husemann
  • Artistic Production Management Victoria Fischer

Digital introduction

muenchner-kammerspiele.de&n...
muenchner-kammerspiele.de&n...

By Mina Mittertrainer

What is the connection between Henrik Ibsen’s “Nora” from 1879 and Édouard Louis’ autobiographical text “A Woman’s Battles and Transformations” by Édouard Louis from 2021? Director Felicitas Brucker explores this question in two productions, each of which stands on its own, but above all unfolds its full depth in interaction.

Read the whole MK: Blog article here!

Audio flyer

Press reviews

“Great theater that is both fun and thought-provoking, hilarious and tragic at the same time. That has a lot to do with us, our coexistence. And with our vision of the future.”

Die Deutsche Bühne • 8.10.22

“There is Monique Bellegueule, whose life of shattered dreams – as a wife at the side of an aggressive alcoholic and as a mother of several children who could not or would not take care of herself, without a job and without money, humiliated and trapped – had already become ”a single shrug of the shoulders” at the age of 23. And then there is her queer son Eddy, a “class refugee out of revenge” because he is ashamed of his family. It is an angry story of alienation through politically enforced social class differences. It becomes a melancholy story of rapprochement when Monique finally dares to take the step of departure and thus the ascent to freedom in Paris, and with her all the other women in Florian Seufert’s video images. (…) Stormy applause.”

Frankfurter Allgemeine Zeitung • 12.10.22

“Not only because of the enriching references to ‘Nora’, ‘Die Freiheit einer Frau’ also inspires.”

Bayerischer Rundfunk • 8.10.22

Dates & Tickets

  • Mon 17.11. 8 – 9:10 pm

    Talk afterwards at Habibi Kiosk

    Back on the schedule Theatre Day: 15 € on all seats!
  • Wed 17.12. 8 – 9:20 pm
Die Freiheit einer Frau
  • Schauspielhaus
  • Premiere: 7.10.2022
  • 1 hour 10 minutes
  • German with English surtitles
  • Strobe Effect
  • 15-60€, unter 30 Jahren jede Platzkategorie: 10€