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A behind-the-scenes satire about the film adaptation of a global bestseller
By Nora Abdel-Maksoud
A steep ride on the backlash wave
Culture wars are box-office hits – and not just ideologically. So it’s only fitting that film director Gordon would turn her attention to the supposed moral terror of woke minorities. With an ever so slightly highly strung team, she is daring to tackle a remake of George Orwell’s classic “1984”: a dystopian international bestseller about a totalitarian society and an insecure hero who fights against bans on thought and speech, against surveillance, newspeak and the thought police.
In “The Sequel” in 2018, playwright and director Nora Abdel-Maksoud created a sharp analysis of the discourse surrounding political correctness and identity politics. But that was long before the gender ban in Bavaria and the anti-diversity policy in the USA – so it’s high time for a revival!
Following her multiple-award-winning plays “Jeeps” and “Doping”, both commissioned by the Münchner Kammerspiele, in “Wokey Wokey” Nora Abdel-Maksoud examines right-wing discourse strategies for their comedic potential and catapults an overwhelmed film crew right into the debates of our time.
‘I am in favour of human rights in parts. I just think that maximum demands don’t get anyone anywhere.’
(Birgit, actress, 1984)
- With Eva Bay, Johanna Eiworth, Stefan Merki, Vincent Redetzki, Maren Solty
- Extras André Schwarz
- Directed by Nora Abdel-Maksoud
- Stage Moïra Gilliéron
- Costume Katharina Faltner
- Music Enik
- Lighting Design Maximilian Kraußmüller
- Choreography Johanna Lemke
- Dramaturgy Nora Haakh
- Dramatury Anna Laner
- Artistic collaboration Eva Bay
- Assistant to the director Constanze Nogueira Negwer
- Assistant Stage Designer Stella Brauer
- Assistant Costume Designer Pauline Heitmann
- Stage Manager Julia Edelmann
- Prompter Daphne Chatzopoulos
- Directing Intern Carla von Braha
- Stage Design Intern Marlene Schmid
- Costume Design Intern Leonie Krüger
- Translation surtitles Anna Galt
- Surtitles Yvonne Griesel (SPRACHSPIEL)
- Artistic Production Management Victoria Fischer
- Technical Production Management Adrian Bette, Valentin Lang
- Stage Master Josef Hofmann
- Stage Machinery Michael Preusser, Nikos Leeb
- Lighting Sebastien Lachenmaier, Louis Nickel, Wolfgang Wiefarn
- Signal box Christian Mahrla
- Sound Johann Jürgen Koch, Paolo Mariangeli, Ulrich Treutwein
- Props Anette Schultheiss, Sabine Schutzbach
- Make-Up Caroline Montfort, Steffen Roßmanith
- Costumes Arite Pissang, Fabiola Maria Schiavulli
- Carpentry Hannes Bickelbacher, Ellen Bosse, Josef Friesl, Clemens Künneth, Freya Mueller, Sebastian Nebe, Josef Piechatzek, Franz Wallner, Hannes Zippert
- Metalworkers Jürgen Goudenhooft, Fritz Würzhuber
- Decorations Anja Gebauer, Tim Hagemeyer, Tobias Herzog, Maria Hörger
- Scenic Painting Jasmin Budde, Evi Eschenbach, Natalie Knäble, Jeanette Raue, Ingrid Weindl
- Stage Sculpture Maximilian Biek
- Performance rights schaefersphilippen, Theater und Medien GbR, Köln
Press reviews
“And secondly, five actors who really know their stuff—including Johanna Euiworth and Stefan Merki—get to go all out at the highest level(…)”
Dates & Tickets
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Wed 15.4. 8 – 9:35 pmWednesday subscription
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Sun 19.4. 4 – 5:35 pmSunday afternoon subscription
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Tue 28.4. 8 – 9:35 pm
Talk afterwards
For TUM students 5€ Tuesday subscription -
Mon 11.5. 8 – 9:35 pmMonday subscription
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Thu 21.5. 8 – 9:35 pm
Introduction from 7:30 pm
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Sun 7.6. 7 pmSunday subscription
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Thu 18.6. 8 pmThursday subscription
- Schauspielhaus
- World premiere
- Premiere: 27.3.2026
- 1 hour 30 minutes
- With English surtitles
- Thu-Sat: 15-45 €, Sun-Wed: 10-40 €, under 30 years each seat category: 10 €